Wednesday, February 28, 2007

Visitor

I apologize for not posting in a while, but this past week/week and a half has been crazy. My sister came to visit, which was a lot of fun. But it also meant it was time to play tour guide, so I didn't have time for much else. That's one thing about moving to New York--everyone wants to come visit! Which is good, for obvious reasons, but it's also stressful, given the tiny size of NY apartments.


I have to admit, I am a pretty good tour guide. Maybe I should go into it full-time. I've also considered opening my own Pilates studio, or going back to school. Yes, these are the things I think to myself when I'm having a particularly tough week at work.


I took two days off when my sister came to visit and when I got back to work, I felt like the world was crashing down around me. Apparently, we were changing the format of our meetings and the meeting agendas (something I am responsible for), using this new program that half of us don't have installed on our computers. It sounds silly, but it was chaos. Everyone was hitting "reply all" to this chain of emails, saying things like, "Wait, what's going on?" Welcome back...


In the end, everything turned out fine.. By Friday, things had calmed down and I could breathe again. I went out for happy hour with a colleague and over margaritas, life seemed a bit rosier. Big surprise! Not that I'm advocating drinking, but it is nice to talk things out with co-workers close to your own age. Chances are, they get just as stressed out, and have similar problems. We both agreed that we are subconsciously seeking approval from our bosses and (maybe it's a girl thing) we just want to be liked and appreciated.


All in all, the talk was a good start to my weekend. Plus, the margaritas were only $5! With free chips! Have I mentioned how expensive it is here? Until next time...

Sunday, February 25, 2007

Working Weekend

**Disclaimer: I am NOT in this photo**
Hello loyal readers,
I spent this weekend working at the New York Comic Con. For those of you who are blissfully unaware of this event, it is an enormous convention for comics and all things comics-related. Since my employer publishes a few graphic novels per year, they rent a booth at Comic Con to display our novels, and have some of our authors sign books for fans, etc. This summer we have a superhero novel coming out, so we were plugging that as well. The author took part in a panel, and we were handing out the first two chapters of the book to try and hook some readers.

Though I could probably think of some more fun ways to spend a Saturday and Sunday, it wasn't all that bad. I met some industry people as well as a few authors. Also, that girl from Heroes was there signing autographs. I don't actually watch the show, but I know a lot of people do. There were some strange people walking around, but some pretty normal ones too. I was also surprised there were so many women there. I have to admit that I never read a graphic novel until I started my job, but now I really enjoy them. They don't just appeal to men; quite a few are even written by women! So I guess I have learned my lesson: comics are for women and men of all ages--write to me and I'll even recommend some! Though I can't say I condone dressing up in costume for someone over the age of twelve...

...but who knows, maybe next year you'll see me there dressed as Wonder Woman.

Thursday, February 15, 2007

A Day in the Life

Here is what a typical day would be like if you had my job:


9 - 10:00 AM -- Come in, read through the morning papers. Clip out anything about your books or authors, and any relevant media news. Go through the general publicity email inbox, delete all spam, attempt to answer all questions and grant requests (e.g. Media wanting an author interview, reviewers asking for copies of books, people sending in their unsolicited manuscripts).


10:00 - Noon -- Do a publicity mailing. This consists of sending 100-200 books to important media people in TV, radio, and print. The mailing may take a while because: You need to have a list made of all the contacts and have them put on labels. You also need to write a press release to include with the book. Depending on the book, you may also need to include a tour schedule, reviews, or author information. Then, of course, you have the job of physically stuffing all the books in envelopes and getting them in the mail.


Noon - 1:00 -- Work on an author's tour. After scheduling events at bookstores, etc. you will need to make sure your author's plane and hotel reservations are in order. My company has a travel department who will make these reservations; I have to provide them with dates, times, and author preferences. This may sound easy--but often it's not, especially with authors who go on multi-city tours, or if you're working with someone who is very particular. I usually have to make and unmake plans at least twice before coming up with a schedule that pleases everyone. Oh, and you also need to be careful to stay within your budget.

1:00 - 2:00 -- Take lunch. Often this will be done at your desk because there will be more emails to answer, and reviews to read. Also, the reviews that you clipped from the papers this morning need to be entered into the computer, copied, circulated, then filed in the appropriate author file. You will also be pulling reviews from the internet (such as nexis.com) since you will not be subscribing to every paper, but you need to know what publicity your books are getting and where.

2:00 - 3:00 -- Work on bills. These need to be coded and approved. They also must be copied and filed. Each publicist must keep track of his/her own author's bills. (Hotel bills, bills for author photographs, etc.) This will probably be kept on an Excel sheet, where you can track your budgets. As an assistant, you will be responsible for your author's bills as well as your boss's.

3:00 - 4:00 -- Administrative work. There is a lot of stuff to be done in the office as well. Your boss will most likely have his/her AmEx card, and it will be your job to make sure that gets paid on time. Boxes of books will be arriving every day. It will be your job to shelve them, and keep the bookroom neat. You also need to keep an eye on supplies, such as the envelopes needed for mailings. It will also be your job to keep an eye on the supply of books and order more as needed. There will also always be copying and filing.

4:00 - 5:00 -- Send review copy requests. Although you are always sending mass mailings of books, people are bound to get left off your list. Also, many people "misplace" the books you send them, and they will need to see another. So they will write/email/fax you asking for copies. Thirty percent of the time, these requests are "urgent" and require that you send something overnight. I am always rushing to get things out the door last minute, since the mail pick-ups stop at 5:00.

So this is a "typical" 9:00 - 5:00 schedule. My job is technically a 9-5 position, though I can't remember the last time I left at 5:00--usually it's more like 6 or 7 and sometimes even later, depending how busy I am. The reason I put "typical" in quotes is because in publicity, this doesn't exist. Every day is different, which keeps you from being bored, but that also makes the job a challenge. Your main responsibility is to deal with people--and people are unpredictable. I allotted one hour here for planning travel, but sometimes this takes days. There is one author I'm working with now who is touring for about 8 weeks. She is not going to traditional bookstores; as a minister, she is taking her tour to churches across the country. I have spent hours and hours talking with her, her lecture agent, and the travel agent trying to get things straightened out.

Weather has also played a role in my job recently. When ice and snow pelted New York this week, we had one VIP author whose plane was grounded. I had to drop whatever I was doing to try and get him back home as quickly and efficiently as possible.

Of course, there are also meetings, which can cut into your day. Preparing for these meetings is also time-consuming. It's my job to type up the minutes, and if one of my books is on the agenda, I have to prepare what to say. These meetings can be very political, so it's crucial to say the right things.

It is also part of the job description to take around your authors when they come to the city. This is something I did last week with a VIP author (the same one who missed his plane). You need to keep on top of everything: staying on schedule, knowing where you are going next, keeping the author happy. This can be a nerve-wracking experience at times, especially when you have to contend with NY traffic. On this particular day, our car was rear-ended and we were nearly late to an appointment.

One thing I can say for sure--my days are full and rarely boring.

Tuesday, February 6, 2007

A Comment on Connections


So my last post received a bit of criticism from the BF. He thought that I was de-emphasizing the effect of connections on a person's career. I have to admit it did come off that way in my last post, when I was talking about my internship. I guess the point I was trying to make was that even a girl from the 'burbs can get her foot in the door if she tries really really hard.

BUT that's all an internship really is--a way of getting in. The rest is about making a good impression, and making good connections. It's tough getting your first job without a connection. I made some great connections at my internship, and followed up with them throughout my senior year. A little goes a long way; write thank you notes to people who mentored you, or, if you see them or their company (or in my case, their book) getting positive mentions in the press, write a quick e-mail saying, "Hey I saw that great write-up in the Times. Congrats!" That way they know you are interested.

I also followed up on my connections from the publishing workshop. I attended again in my senior year and felt more confident in talking with all the publishing professionals. I was planning on taking a trip to New York in the spring for some informational interviews (more on those later), and made that known to everyone I talked to. Some invited me to their offices, others gave me names of people I should meet. One woman even invited me out to drinks with her and two of her friends when I was in the city. I thought that was unusual but went anyway, just for the heck of it. Her friends were very nice; we talked books, people we had in common, and their own first jobs. They were both directors of their own departments but since we met in such a relaxed atmosphere, I wasn't intimidated.

I would have been happy just writing it off as a fun experience (with free drinks!) but a few months later, one of the women came to me with a job offer--the one I ended up accepting. I never had to sit through an awkward formal interview, which is one of the many reasons I am thankful for my connections.


Sunday, February 4, 2007

How I Got Here


I had lived in the suburbs of Michigan all my life, so graduating and coming to New York was not a natural progression. I have no relatives here, and really no connections to speak of. I had only visited New York once, for a weekend in 2002.
My junior year I started to think more seriously about what I wanted to do. I declared my majors--English and Spanish. Whenever I would tell people this (mainly relatives and family friends) their response was almost ALWAYS, "Oh. So are you going to be a teacher?" This drove me absolutely nuts. Not that I have anything against teachers--there are four in my family!--it was just frustrating that no one thought there were any other options for English majors. And the worst part was that I was starting to believe them.
I think it was February of that year that I attended a Careers in Publishing workshop*. It was being held at U of M for three days, hosted by an alum who had made a very successful career for herself in the business. There were speakers, group projects, a tour--I learned a lot. I was excited; this was something I could really picture myself doing for living.
After that I applied to no less than 35 internship programs. The jobs were all over the country, but mostly in New York. I checked the job boards at bookjobs.com, on individual publishing websites, and mediabistro.com. I made sure to tweak my resume to include the workshop and anything else I did that was relevant to publishing (e.g. working on a literary journal). In the end, I only got two callbacks and one phone interview. But most importantly, that phone interview turned into a summer internship for a well-respected publisher in New York. I was thrilled--ecstatic!--knowing that I had gotten in on my own merits.
I was so happy, I was able to overlook one small snag: this internship was an unpaid position in one of the most expensive cities in America.
(* I think the workshop will be held again this year. Contact the Michigan Communcation Studies department for information)